Embodying the Catholic faith
نویسندگان
چکیده
Abstract This essay probes the political and ideological status of such images in officially Calvinist state after 1579. Focusing on relationship between representations body dead priests collective Catholic believers, Marquaille’s addresses one visual expression paradoxical situation whereby Catholics were reduced to minority status, not numbers but through restrictions public worship, including display images. These prohibitions notably extended funerary rites, which strictly regulated. repressive context, according Marquaille, gave rise posthumous clerical portrait as a new class image with specific resonance for emergent Dutch community. While Protestants shunned representation mortal remains, particular came embrace depictions an affirmative distinctive feature their newly proprietary culture.
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ژورنال
عنوان ژورنال: Nederlandsch kunsthistorisch jaarboek
سال: 2022
ISSN: ['0169-6726', '2214-5966']
DOI: https://doi.org/10.1163/22145966-07201006